FSM Harp Sounds
Found Sheep Ministries


Experience the timeless beauty of the Psalms and biblical texts in a moving performance by our sister Heidi.
We invite you to listen to the rediscovered music of the Temple, with authentic melodies masterfully extracted from the notations of the Leningrad Codex by the Jewish composer Suzanne Haïk-Vantoura.
This is a musical journey to the roots of our faith – encounter the Psalms in their original unity of word and sound, just as Yeshua may have known them.
For more songs, visit us on YouTube.



©Suzanne Haïk-Vantoura
The Groundbreaking Work of
Suzanne Haïk-Vantoura
The words of the Psalms have been a source of comfort, worship, and prophetic revelation for millennia. We read and pray them—but how did they originally sound in the Temple of Jerusalem? For a long time, it was believed that the original music of the Holy Scriptures had been lost forever. Yet through the monumental research of French musician and composer Suzanne Haïk-Vantoura (1912–2000), a window has been opened into this long-silent world.
The Key to the Lost Music
In the Hebrew text of the Bible—especially in the poetic books such as the Psalms—small signs appear above and below the consonants. These are known as te'amim, or cantillation marks.
While Jewish tradition preserved them primarily as syntactic and recitative aids, Haïk-Vantoura proposed that these signs represent a highly sophisticated system of musical notation (cheironomy), whose original meaning had been lost over time.
After decades of meticulous research, she achieved a breakthrough.
In her 1976 publication “La Musique de la Bible révélée” (The Music of the Bible Revealed), she presented a systematic key for deciphering this notation.
She demonstrated that these signs indicate precise pitch and melodic movement, based on ancient tonal scales.
Her method was not speculative—it was the result of rigorous historical and technical analysis.
The Restored Melodies
The result of her deciphering, as attested by many musicians and scholars, is “extraordinary” and “wondrous.” The restored melodies of the Psalms are marked by a sublime purity, simplicity, and at the same time, a profound majesty.
They are free from later artistic embellishment and reflect a musical aesthetic that perfectly complements the spirit of the Holy Scriptures.
The uniqueness of these Psalm settings lies in their authenticity.
They are not modern compositions inspired by the Psalms, but rather a likely reconstruction of the music that once filled the halls of the Temple.
In their simple yet majestic structure, these ancient melodies confirm the biblical psalmody in a way that words alone cannot express.
Significance for Our Faith.
For us, this discovery is of inestimable value. It allows us to experience the Psalms in a way that closely resembles the faith experience of ancient Israel.
When we hear these melodies, we can imagine how kings, priests, and the people of Elohim lifted up their praise. We catch a glimpse of how the Songs of Zion may have sounded—songs that Yeshua and His disciples knew and sang.
The work of Suzanne Haïk-Vantoura is more than a musicological breakthrough; it is a spiritual gift that opens up a deeper, audible dimension of the Holy Scriptures and reconnects us in a profound way with the roots of our faith.

Let everything that has breath
praise Adonai!
Hallelujah!
Psalm 150,6